4 January 2012

Mark Haddon‘s new novel, The Red House, will be out in June.  I wrote a brief blurb about it for The Millions‘ “Big Preview,” i.e. our most-anticipated-2012-releases extravaganza.  Check it out — it’s exciting and overwhelming, from the perspective of both writer and reader.

In researching The Red House, I found a few of Haddon’s blog posts about his writing process, in real time.  This one encouraged me — it reminded me that writing a novel is hard, it’s supposed to be hard; and yet half the angst of the process (for me, lately) is this ridiculous, tormenting voice inside that says “It shouldn’t be so hard, so slow, so painful; what’s wrong with you?”

I’m about 30,000 words in and it finally has momentum, but it’s been a long haul (i’ve just noticed a previous entry last december in which i announce cheerfully that i’m under way, so whatever i say should be taken with a pinch of salt). on the train on the way home i was perversely reassured by reading hermione lee‘s introduction to virginia woolf’s the years in which she detailed the interminable, painful and tortuous genesis of the novel (impossible… eternal… incredibly dreary… my vomit… i’m so sick of it… never again… failure… failure).

Perverse reassurance is something that we seem to “pay forward,” so thank you, MH.  And thank you, VW, who is perhaps the most extreme/haunting example of this sort of reassurance: there is suffering in the process of art-making – meaningful suffering – let us never forget.

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